位置:

法國

類型:

景觀 設計

材料:

木材

標簽:

蒙彼利埃

分類:

休閑娛樂 公共空間 涼亭

在不考慮使用者的基礎上試圖從技術性的觀點來解決智慧城市的問題，這種做法是沒有任何意義的。“棱鏡”作為庭院中的一個可使用的裝置，試圖通過對“內部”和“外部”，以及“可見”和“不可見”的關系的思考，來為城市環境賦予全新的面貌。

To approach the problem of the smart city from a technological point of view would be pointless if we do not associate the citizens who practise it. “Prisme” then proposes to users of the St C?me courtyard to take a new look at this urban environment through a reflection on the relationship between “inside” and “outside”, “visible” and “invisible”.

▼項目概覽，project overview

“棱鏡”邀請人們在其間散步、游戲和互動，定義出一個交流和溝通的空間。原木材質為整個場地帶來了溫和的色彩、紋理和氣味，將人們帶入其創造的情境之中。融合、互動、相遇和游戲是解讀這項作品的關鍵詞。

The pavilion is an invitation to stroll, mystery, play and visitor interaction. It defines a space of exchange and communication. The raw wood brings a colour, a texture and a smell impacting the whole of the court, modifying it the time of the festival to better mark the visitors and to invite them to put in scene. Convergence, interaction, encounter and play are the key words to tackle this book.

▼“棱鏡”構建出一個交流和溝通的空間，the pavilion defines a space of exchange and communication

“棱鏡”模糊了內與外的界限，同時向我們提出有關空間感知的疑問。它的形態猶如一個有機體，不斷突破邊界并延伸至空間內部；它的色彩吸引著我們去關注形態本身的運動和擴展。木材與石材之間的對話，以及它們在質地、溫度和光澤方面的差異，為我們呈現出一種微妙的互動，以及一種對于尺度概念的思考。

“Prism” blurs the inner/outer relationship and questions us about the issues of perception of spaces. Like an organism that believes, its forms push the limits, expanding into space and its accents of colour call the gaze into an extension of the forms in movement. The dialogue between wood and stone, their differences in mass, temperature, light, offers us a subtle exchange and induces a reflection on the notions of scale.